12 de janeiro de 2021

mozart paris symphony program notes

Just as we seem about to settle onto the dominant, ready to begin the Allegro, the activity decelerates and we are confronted with a stark, hushed chromatic figure recalling some of the “uncanny” moments in Don Giovanni. 102. He was supposed to write a piece of music for the twenty-fifth anniversary of Tsar Alexander II’s accession to the throne, since the government hoped to generate a little enthusiasm for the ruler, who had recently been the subject of some assassination attempts. Menuetto—Trio—Menuetto da capo IV. The score calls for two oboes, two bassoons, four horns, and strings. This was Mozart’s first symphony … Program Notes: Mozart & Beethoven Conductor Xian Zhang leads the Seattle Symphony in music by William Grant Still, Wolfgang Amadeus Mozart, and Ludwig van Beethoven on Thursday, September 24, 2020 at 7:30pm on Seattle Symphony Live . It is a spacious work of great humanity. Enhanced Program Notes: MOZART + HAYDN Portrait of Joseph Haydn by Thomas Hardy, 1791. 39! Finally, the following year, he brought out his first book, which contained the text of the eclogue entitled “L’Après-midi d’un faune.” Mallarmé continued to hope for a theatrical performance; as late as 1891 he promised in print to produce a new version for the theater. Following that performance, Mozart replaced the symphony’s original Andante with another movement in the same tempo and the new version of the symphony was unveiled in a Paris concert on August 15. The symphony is laid out in fast-slow-fast form, omitting the Minuet normally found in classical-era symphonies: The first movement opens with a rising and accelerating D major scale in an effect known at the time as the Mannheim Rocket. The work is nicknamed the Jupiter Symphony, likely coined by the impresario Johann Peter Salomon. 38 in D Major, K. 504 (Prague) There are more sketches for the Prague Symphony than any other by Mozart—starts and stops and doodling for all the movements, even an opening for the finale, which eventually was discarded. The finale is often called the most Haydnesque movement Mozart ever wrote, largely because it is nearly monothematic. Generally speaking the singer—especially the superstar singer‑‑was monarch of the operatic world; composers wrote arias precisely tailored to the characteristics of an individual voice. The principal theme, beginning with a group of scurrying sixteenth‑notes followed by a hiccup, produces a series of motives that carry the bulk of the discourse. 31 in D major, K. 297/300a, better known as the Paris Symphony, is one of the most famous symphonies by Wolfgang Amadeus Mozart. Wolfgang Amadé Mozart (1756-1791) Mozart’s Symphony No. Then came Don Giovanni, composed for the citizens of Prague who had taken Figaro completely to their hearts. But when Mozart returned to Paris in the spring of 1778 with his mother in tow things very much did not go to plan. Even more impressive is the striking variety between the three works, each of which has a character and mood all its own. Following a passage on the nearby key of A‑flat, a vigorous modulation seems to be leading to C minor, but at the last moment a wonderful woodwind extension brings it around to the home key and ushers in the recapitulation. Most listeners, though, have been content to wallow in this exquisitely wrought play of color, harmony, and misty melody without bothering to consider how much of the future was already implicit in this brief score. Although it was a sensation in Prague in the fall of 1787, the first Vienna performances the following spring did not attract enough attention; the piece was simply too serious to suit the taste of the court. An invigorating first movement predominates, followed by a … He composed his opera seria Idomeneo, Rè di Creta (“Idomeneus, King of Crete”) in late 1780 or early 1781, for performance in Munich. Despite a successful premiere for his Paris Symphony (K297) at the Concert Spirituel on June 18 and a few other small commissions (concertos for flute, some ballet music), 25 in G Minor, K. 183 Mozart composed this symphony in 1773; it was first performed on October 5 of that year in Salzburg. [6], The symphony was later performed in the Burgtheater in Vienna on 11 March 1783 during a benefit concert for Mozart's sister-in-law, the singer Aloysia Weber.[7]. Symphony - Symphony - Mozart: Wolfgang Amadeus Mozart raised the symphony to heights that in many respects remain unsurpassed. 41 is the last of a set of three that Mozart composed in rapid succession during the summer of 1788. The Three Bs. Mozart in the Afternoon Series. Its first performance took place in St. Petersburg on October 30, 1881. This artist, who from the tenderest age made a name for himself among harpsichord players, may today be ranked among the most able composers. ORCHESTRAL SUITE NO. The symphony is notable for having an unusually large instrumentation for its time, made possible by the large orchestra available to Mozart during his time in Paris. During the years 1782 to 1788, Sieber's catalog described it as "in the repertoire of the Concert Spirituel". Throughout his life, he was also interested in music; he had even written an essay on Wagner for the “Revue wagnerienne” in 1885. 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